Recording history and tape provenance
The 1933 Brunswick sides catch Tatum at 23, with his technique already formed. The 1949 Shrine Auditorium material catches him sixteen years later in front of an audience, in a looser setting.
The two sources differ in recording quality, as would be expected of studio sides and a live concert sixteen years apart. This is an anthology rather than a session document.
An Internet Archive uploader suggests the closing medley of "The Man I Love" and Porgy and Bess selections was edited for this release. The suggested reason is royalty costs. That is offered there as a guess, not as a documented fact.
The rechannelled stereo question
The Both Sides Now Columbia discography records that CS 9655 was issued commercially in rechannelled stereo only. Mono copies went to radio stations on white labels, carrying the stereo catalogue number.
A commercial mono pressing therefore does not exist. Any mono copy is a white-label radio promo, which is scarce and not a normal retail alternative.
Electronically reprocessed stereo splits a mono signal across two channels. It adds no separation that was not in the source and can introduce phase artefacts. Collectors generally treat it as a compromise rather than an improvement.
The 1968 original's Discogs entry describes it as the two-eye electronically simulated stereo issue and confirms that the 1933 and 1949 sources were mono. Robert Andrew Parker did the cover art.
Later pressings
Columbia repressed the album as PC 9655, the catalogue number on the Internet Archive's copy. A 1987 vinyl edition also exists.
No published comparison between these pressings has been found, and none is described as a new mastering from the original mono sources. The rechannelling applies across the compilation's vinyl history.
Buyer's guide by budget
$$: Any clean CS 9655 or PC 9655 copy. Price and condition are the only real variables.
$$$$: A white-label radio promo in mono, for anyone who wants this material without rechannelling. These are scarce.
Pressing tier summary
| Tier ⇅ | Pressing | Cat# | Year ⇅ | Format | Source / Mastering | Notes | Market ⇅ |
|---|---|---|---|---|---|---|---|
| A | Columbia original, two-eye label | CS 9655 | 1968 | Rechannelled stereo, 33⅓ | Columbia lacquer | Compiles 1933 Brunswick sides and the 1949 Shrine Auditorium concert, both recorded in mono | $37VG+ $49NM $54M |
| B | Columbia repress | PC 9655 | – | Rechannelled stereo, 33⅓ | Columbia lacquer | Same rechannelled programme | – |
| – | Radio station promo, mono | CS 9655 | 1968 | Mono, 33⅓ | Columbia lacquer | Not rated. White labels, stereo number. Not sold commercially | – |
| – | 1987 vinyl reissue | – | 1987 | Rechannelled stereo, 33⅓ | Not credited | Not rated. No published review found | – |
References
- Discogs (master, all versions): https://www.discogs.com/Art-Tatum-Piano-Starts-Here/master/529742
- Wikipedia, "Art Tatum discography": https://en.wikipedia.org/wiki/Art_Tatum_discography
- Both Sides Now, "Columbia Album Discography, Part 24 (CL 2800-2899/CS 9600-9699) 1968": https://www.bsnpubs.com/columbia/columbia12/columbia2800.html
- Internet Archive, "Art Tatum – Piano Starts Here": https://archive.org/details/lp_piano-starts-here_art-tatum
